Msu Old Film Restoration 15
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In just one month, the historical society has raised more than $8,500 toward its $12,000 goal. The restoration will be done by Community Building Services and is expected to take place this summer. Donations are still being accepted and can be submitted to the Mason Area Historical Society at www.masonmuseum.org.
Megan SampTickets can be bought online or at Studio C in Okemos. Each November, the East Lansing Film Festival showcases independent films. These films range from comedies to dramas to long and short films. The nonprofit was created in 1997 and remains the longest running film festival in Michigan.
Sang-soo Hong, one of most distinctive and prolific filmmakers of the past several decades, is well-known to international film festival goers. But due to a general lack of distribution, his fascinating body of film remains a vast and unexplored terrain for most American audiences. Sie Film offers viewers a rare chance to experience a range of his work, and to explore its rich and complex themes of desire, contingency, and miscommunication with two philosopher, Boram Jeong (Assistant Professor, CU Denver) and Adam Graves (Professor, MSU Denver).
Stanley Cavell (1926-2018) was one of the most celebrated American philosophers of the past century. Outside of the academy, he was perhaps best know for his insightful interpretation of Hollywood classics, which had profound impact upon our understanding of the significance of film. This screening of one of his favorite screwball comedies, The Lady Eve, will be followed by a discussion with his four most accomplished students and friends.
Professor Alan Sumler introduced the film, shown at the Esquire Theater. Sumler has a Ph.D. (ABD) in Classical Philology at the City University of New York Graduate Center. He teaches in the Philosophy department at MSU Denver, and the Modern Languages department at CU Denver.
Adam J. Graves, Ph.D. is an Associate Professor of Philosophy at MSU Denver, where has taught courses on ethics, phenomenology and the philosophy of film. His publications focus on questions of selfhood, the theory of interpretation and the nature of human agency.
The Esquire Theater joined us for another gripping and timely film series, each followed by an expert-led discussion on the film and its historical and literary contexts. Our panelists included Dr. Rebecca Gorman (Chair, English), Dr. Jim Aubrey (Film Studies), and Dr. Pitturro (English).
Each of these films tells a tale of profound unfulfillment: unconsummated love in Brief Encounter, unfulfilled duty in Kwai, and frustrated ambition in Lawrence. And each film provides a unique occasion to contemplate good and evil, virtue and vice, innocence and guilt, and to reflect upon the power of film to illuminate the nature of human existence.
Adam Graves is associate professor of philosophy at MSU Denver, specializing in phenomenology and hermeneutics (the theory of interpretation). He is currently teaching an Honors Seminar on the representation of evil in film.
Sean Morris is associate professor of philosophy at MSU Denver and works in logic, the foundations of mathematics and the history of analytic philosophy. From time to time he dabbles in questions relating to the good life as they arise in classic films.
After a screening of the classic 1947 film, Out of the Past, at History Colorado, distinguished University of Chicago professor Robert Pippin spoke with us on the themes of fate and agency in American Film Noir.
Raimi has also produced several successful television series, including Hercules: The Legendary Journeys and its spin-off Xena: Warrior Princess. He founded the production company Renaissance Pictures in 1979 and Ghost House Pictures in 2002. His latest film, the Marvel Cinematic Universe film Doctor Strange in the Multiverse of Madness, was released on May 6, 2022,[6] being the highest-grossing film of his career.
Raimi became fascinated with making films when his father brought a movie camera home one day. He began to make Super 8 movies with his friend Bruce Campbell, whom he met in 1975. In college, he teamed up with his brother's roommate Robert Tapert and Campbell to shoot Within the Woods (1978), a 32-minute horror film which raised $375,000, as well as his debut feature film It's Murder!. During that time, he also shot the seven-minute short film Clockwork (1978), starring Scott Spiegel (who had appeared in Within the Woods) and Cheryl Guttridge.[15][16] Through family, friends, and a network of investors, Raimi was able to finance production of the highly successful horror film The Evil Dead (1981) which became a cult hit and effectively launched Raimi's career.[17]
He began work on his third film Crimewave (1985), which he co-wrote with the then unknown Coen brothers, shortly after.[18] Intended as a live-action comic book, the film was unsuccessful, partly due to unwanted studio intervention. Raimi then returned to the horror genre with the seminal Evil Dead II (which added slapstick humor to the over the top horror, showcasing his love of the Three Stooges). With his brother Ivan Raimi (and crediting himself as Celia Abrams), Sam Raimi also wrote Easy Wheels (1989), which parodied the Outlaw biker film genre. A long-time comic book buff, he then attempted to adapt "The Shadow" into a movie, but was unable to secure the rights, so he created his own super-hero, Darkman (1990). The film was his first major studio picture, and was commercially successful, spawning two sequels. Through it he was still able to secure funding for Evil Dead III, which was retitled Army of Darkness and turned away almost totally from horror towards fantasy and comedy elements. Army of Darkness, the final movie in the Evil Dead trilogy, commercially underperformed, yet on video became a cult classic.
In the 1990s, Raimi moved into other genres, directing such films as the western The Quick and the Dead (starring Sharon Stone and Gene Hackman), the critically acclaimed crime thriller A Simple Plan (1998) (starring Bill Paxton and Billy Bob Thornton), and the romantic drama For Love of the Game (1999) (starring Kevin Costner).
He worked in front of the camera in The Stand as a dimwitted hitman, John Carpenter's Body Bags as a murdered gas station attendant, and Indian Summer in what is perhaps his biggest role as a bumbling assistant to Alan Arkin. The film was written by his childhood friend, writer-director Mike Binder, and shot at the camp that they both attended when they were younger. Raimi also produced the entire English-language The Grudge franchise, based on the original Japanese films.
According to Entertainment Weekly, Raimi had expressed an interest in directing a film version of The Hobbit, the prequel to the Lord of the Rings trilogy.[23] In 2008, Guillermo del Toro was selected as the director, with Peter Jackson as the executive producer. Raimi may direct By Any Means Necessary, the next film based on the "Jack Ryan" CIA character created by Tom Clancy for Paramount Pictures. Disney also approached him to direct W.I.T.C.H.: The Movie, based on the popular comic.
Blizzard Entertainment announced on July 22, 2009 that Raimi would be directing a film adaptation of the Warcraft video game series,[24] but at Comic-Con International 2012, it was revealed that he would not be the director.[25]
On December 11, 2006, the website SuperHero Hype reported that director Sam Raimi and Michael Uslan would co-produce a new film version of The Shadow for Columbia Pictures.[33] On October 16, 2007, Raimi stated that: "I don't have any news on The Shadow at this time, except that the company that I have with Josh Donen, my producing partner, we've got the rights to The Shadow. I love the character very much and we're trying to work on a story that'll do justice to the character."[34][35]
Raimi, along with Bruce Campbell and Rob Tapert, produced the remake of Raimi's The Evil Dead. First-time feature filmmaker Fede Álvarez wrote and directed, and Diablo Cody was also brought in to revise/rewrite the script.[36] Raimi confirmed plans to write Evil Dead 4 with his brother; it was later specified that this film would be Army of Darkness 2.[37] Alvarez revealed that Raimi would direct the sequel to Army of Darkness.[38] However, in a 2014 interview, Bruce Campbell announced that Army of Darkness 2 is not happening, saying "It's all internet b.s. There's no reality whatsoever. These random comments slip out of either my mouth, or Sam Raimi's mouth, next thing you know, we're making a sequel."[39]
On February 26, 2016, it was confirmed that Raimi is attached to direct the upcoming film World War 3 for Warner Bros. The film will be based on a possible future inspired by the book The Next 100 Years by George Friedman.[40]
On February 5, 2020, it was announced that Raimi was in talks with Marvel Studios to direct Doctor Strange in the Multiverse of Madness,[43] and Raimi confirmed his involvement in April 2020.[44] This marks Raimi's return to the superhero film genre after more than 15 years following Spider-Man 3 in 2007 and his first feature film directorial effort since 2013's Oz the Great and Powerful.[45]
In addition to film, Raimi has worked in television, producing such series as Hercules: The Legendary Journeys and its spin-off Xena: Warrior Princess, both featuring his younger brother Ted Raimi and long-time friend Bruce Campbell, American Gothic, Cleopatra 2525, M.A.N.T.I.S., 13: Fear Is Real, Young Hercules, and Jack of All Trades. In 2008, Raimi executive produced a syndicated TV series called Legend of the Seeker, based on Terry Goodkind's best-selling The Sword of Truth fantasy series. He also executive produced the Starz original television series Spartacus: Blood and Sand and Spartacus: Gods of the Arena,[46] Spartacus: Vengeance and Spartacus: War of the Damned. He directed the pilot episode of Ash vs Evil Dead for Starz.[47] 2b1af7f3a8
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